![]() Given my lifelong love of Spider-Man, it wasn’t exactly grueling to come up with a handful of ideas and then properly outline the one my editor liked the most… but it’s still work. For those who aren’t familiar, when you’re not a household name, pitching for a legacy character is quite a bit of work. The editor got approval, and I wrote a damn good idea that was on the fast track to being the next arc in the series. Considering I saw CB Cebulski have a conniption at a comic con party when another Marvel Comics writer told him he’d been courted to do the same for avengers, I asked that editorial to make absolutely sure marvel was cool with me pitching for this project. Sometime in 2018, an editor at a different publishing house asked if I’d pitch for an all-ages Spider-Man book they were licensed to produce. ![]() ![]() Towards the end of my time there, I’d been getting a sense that marvel editors were lying about keeping me in mind for projects after iceman, and the following incident sealed the deal in terms of being told (not in any legally binding way) that I had overstayed my welcome at the house of ideas. ![]() If we’re gonna talk about how Marvel does literally nothing about giving a leg up to marginalized creators and staff members, I’ve got another story to tell. ![]()
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